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Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany

Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany


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Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany

Two putti, left detail of the Annunciation, high relief by Donatello, in the Basilica of Santa Croce, Florence, Tuscany Florence Basilica of Santa Croce Sculpture Early Renaissance, Renaissance, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1970 ca.. Date of Artwork:1435 ca.. Artist:Donato di Niccol di Betto Bardi known as Donatello

Alinari, Fratelli
ACA-F-061741-0000

Media ID 33137835

© Alinari Archives, Florence

Child Literature And Fiction Mouth Lips Nose Of A Childearly Renaissance Putto Parts Of The Body


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> Arts > Art Movements > Baroque

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> Historic > Renaissance art > Baroque art > Renaissance paintings

> Historic > Renaissance art > Baroque art

> Historic > Renaissance art > High Renaissance art

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art


EDITORS COMMENTS
This print captures the exquisite beauty of two putti, depicted in a left detail of the Annunciation high relief sculpture by Donatello. Found within the Basilica of Santa Croce in Florence, Tuscany, this masterpiece showcases the mastery and artistry of the Early Renaissance period. Donatello, also known as Donato di Niccolò di Betto Bardi, was a renowned Italian sculptor who played a significant role in shaping the artistic landscape of Europe during the First and Second Millennium A. D. His works seamlessly blended elements from various styles and periods such as Renaissance and Renaissance-Baroque. The photograph itself dates back to around 1970, while Donatello's original artwork is believed to have been created around 1435. The attention to detail is evident as every feature on these putti is meticulously carved – from their innocent faces with delicate noses and lips to their enchanting expressions that seem almost lifelike. These cherubic figures exude an ethereal charm that has captivated viewers for centuries. Their nudity symbolizes purity and innocence while emphasizing their childlike nature. As they stand against a backdrop adorned with intricate architectural details, one cannot help but be mesmerized by their presence. Alinari Fratelli skillfully captured this moment through photography without compromising any aspect of its grandeur or significance. This print serves as a testament to both Donatello's genius and Alinari Fratelli's talent behind the lens. Whether you are an admirer of art history or simply appreciate beauty in its purest form, this image transports you back in time to witness firsthand one of Italy's most treasured sculptures within one of Florence's most revered basilicas.

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