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View of the Chiesa di Santa Maria della Salute, Venice

View of the Chiesa di Santa Maria della Salute, Venice


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View of the Chiesa di Santa Maria della Salute, Venice

View of the Chiesa di Santa Maria della Salute, Venice Venice Church Baroque, Renaissance-Baroque styles and periods, Europe, First and Second Millennium A.D.. Date of Photograph:1935 ca.. Date of Artwork:1631- 1687. Artist:Longhena, Baldassarre

Pasta, Fernando
PTA-S-001286-0015

Media ID 33197158

© Alinari Archives, Florence

Stairs Staircase Of A Group


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Religious

> Architecture > Styles > Baroque Architecture

> Arts > Art Movements > Baroque

> Arts > Art Movements > Renaissance Art

> Arts > Street art graffiti > Portraits > Urban art

> Arts > Street art graffiti > Urban art > Portraits

> Baroque paintings

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Baroque architecture

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Renaissance architecture


View of the Chiesa di Santa Maria della Salute, Venice - A Captivating Glimpse into Renaissance-Baroque Architecture

EDITORS COMMENTS
. This mesmerizing print captures the breathtaking beauty of the Chiesa di Santa Maria della Salute in Venice. The church stands proudly against a backdrop of clear blue skies, showcasing its magnificent Baroque and Renaissance architectural styles. Dating back to the first and second millenniums A. D. , this iconic structure was built between 1631 and 1687 by the talented artist Baldassarre Longhena. Every element, decoration, and section of this religious masterpiece reflects intricate craftsmanship and devotion. The photograph itself was taken around 1935 by Fernando Pasta, an accomplished photographer known for his ability to capture the essence of European landmarks. Through his lens, he skillfully portrays not only the grandeur of this church but also its surrounding square or piazza - a vibrant urban space that adds life to its surroundings. As we delve deeper into this image, our eyes are drawn to a group portrait captured within it. Perhaps these individuals were admirers or worshippers who paused momentarily at this awe-inspiring sight. Their presence reminds us that beyond being an architectural marvel, churches like these hold immense significance as places where people gather in faith. Moreover, scattered throughout the frame are sculptures and well-designed baroque elements that further enhance our appreciation for both artistry and spirituality intertwined within this sacred place. In summary, Pasta's photograph offers us a timeless glimpse into one of Europe's most remarkable structures – an enduring symbol of Christian heritage blended with extraordinary artistic expression. It invites us to immerse ourselves in centuries-old history while marveling at how architecture can transcend time itself.

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