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Phrygian shields, quivers and bipennes, or battle axes (engraving)
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Phrygian shields, quivers and bipennes, or battle axes (engraving)
5200703 Phrygian shields, quivers and bipennes, or battle axes (engraving) by English School, (19th century); Private Collection; (add.info.: Phrygian shields, quivers and bipennes, or battle axes. Illustration for Costume of the Ancients by Thomas Hope (Henry G Bohn, 1841).); © Look and Learn
Media ID 23263046
© Look and Learn / Bridgeman Images
Ancients Axes Phrygian Quivers Shields
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This engraving from the 19th century showcases a collection of Phrygian shields, quivers, and battle axes. The intricate details and craftsmanship depicted in this print transport us back to ancient times, offering a glimpse into the world of classical fashion and clothing. The Phrygian shields featured in this image are beautifully adorned with ornate patterns and symbols, reflecting the artistic sensibilities of that era. These shields were not only functional but also served as a form of self-expression for warriors on the battlefield. Accompanying these shields are quivers filled with arrows, ready to be unleashed upon enemies during fierce battles. The precision and accuracy required to handle these weapons is evident in their depiction. Adding further intrigue to this composition are bipennes or battle axes. These formidable tools were essential for close combat situations, showcasing both strength and skill possessed by ancient warriors. Illustrated for "Costume of the Ancients" by Thomas Hope in 1841, this engraving captures the essence of ancient warfare attire while providing valuable insights into historical dress codes. It serves as a testament to human creativity throughout centuries as well as our enduring fascination with our ancestors' way of life. This remarkable artwork is part of a private collection now preserved for generations to come. Its presence allows us to appreciate not only its aesthetic value but also its educational significance in understanding our rich cultural heritage.
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