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Valenciennes, France (engraving, 1572-1617)
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Valenciennes, France (engraving, 1572-1617)
LRI4713360 Valenciennes, France (engraving, 1572-1617) by Hogenberg, Franz (1540-c.1590); Private Collection; (add.info.: Valencena, Quondam Cygnorum Vallis, Urbs Han: Perelegas, and Valde Magnifica (Valenciennes, France) - in " Civitates Orbis Terrarum" published in six parts between 1572 and 1617 by Georg Braun (1541-1622) and Frans Hogenberg (1535-1590)); Luisa Ricciarini; Netherlandish, out of copyright
Media ID 22837534
© Luisa Ricciarini / Bridgeman Images
Atlas Book Blazon Coat Of Arm Fortification Geographical Map North 59 North Pas De Calais
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EDITORS COMMENTS
This print showcases an engraving of Valenciennes, France, created between 1572 and 1617 by the talented artist Franz Hogenberg. The artwork is part of a renowned collection and provides a fascinating glimpse into the city's rich history. Valenciennes, also known as Valencena or Quondam Cygnorum Vallis, was once considered a magnificent and highly esteemed urban center in Han: Perelegas. This engraving was featured in "Civitates Orbis Terrarum" a significant publication consisting of six parts published by Georg Braun and Frans Hogenberg during the same period. The image captures the essence of Valenciennes with its intricate details, including churches, blazons, rivers, coats of arms, and fortifications that were characteristic of this era. It offers viewers an immersive experience into the geography and architecture prevalent in North Pas de Calais during this time. Luisa Ricciarini skillfully preserved this historical masterpiece through her lens while ensuring it remains accessible to all without copyright restrictions. The photograph serves as both an educational tool for those interested in French geography and history enthusiasts alike. Whether you are captivated by maps or fascinated by ancient cities' views, this enchanting print will transport you back to 16th-century Valenciennes—a true gem from Luisa Ricciarini's remarkable collection on Fine Art Finder.
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