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Deposition of Christ, 1432-1434 (tempera on wood)

Deposition of Christ, 1432-1434 (tempera on wood)


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Deposition of Christ, 1432-1434 (tempera on wood)

LRI4618426 Deposition of Christ, 1432-1434 (tempera on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 176x185 cm; Museo di San Marco, Florence, Italy; (add.info.: Deposition of Christ or Altarpiece of the Holy Trinity (Pala di santa Trinita) (Descent from the cross, or Altarpiece of the Holy Trinity) - Painting by Guido di Pietro (or Fra Giovanni da Fiesole) said Fra Angelico or il Beato (1400-1455), 1437-1440 Tempera on wood Convent of San Marco, Florence (Museo di San Marco) Marco, Firenze)); Luisa Ricciarini; Italian, out of copyright

Media ID 23322516

© Luisa Ricciarini / Bridgeman Images

Deposition Of The Cross Saint Mary Madeleine Trinite Aureole Quattrocento


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > A > Fra Angelico

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> Historic > Renaissance art

> Italian renaissance art


EDITORS COMMENTS
This print showcases the breathtaking masterpiece known as the "Deposition of Christ" by Fra Angelico, also known as il Beato. Created between 1432 and 1434, this tempera on wood painting measures an impressive 176x185 cm and is housed in the Museo di San Marco in Florence, Italy. The artwork depicts a poignant scene from biblical history - the moment when Jesus Christ's body is being taken down from the cross after his crucifixion. The artist's meticulous attention to detail and skillful use of color bring this sacred event to life, evoking a sense of profound emotion. In this composition, we see various figures surrounding Jesus' lifeless body. The Virgin Mary mourns her son's death with utmost sorrow while Saint Mary Magdalene kneels at his feet in grief. Angels hover above them all, their presence adding a celestial touch to the somber atmosphere. Fra Angelico's mastery of Renaissance art shines through every brushstroke, capturing both human suffering and divine grace within one frame. This altarpiece was originally created for the Convent of San Marco in Florence and has since become an iconic representation of religious devotion during the Quattrocento period. Luisa Ricciarini beautifully captures this timeless artwork through her photography skills, allowing viewers to appreciate its intricate details even from afar. As we gaze upon this image print today, we are reminded of the enduring power that art holds in preserving our cultural heritage and spiritual narratives throughout

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