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Satire on a castrato singer, 1730-1740 (engraving)
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Satire on a castrato singer, 1730-1740 (engraving)
XJF867860 Satire on a castrato singer, 1730-1740 (engraving) by English School, (18th century); Private Collection; (add.info.: BM 1868, 0612.1199); English, out of copyright
Media ID 12941231
© www.bridgemanart.com
Baroque Music Castration Castrato Handel Peacock Singing
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This intriguing engraving from the 18th century captures a satirical depiction of a castrato singer, shedding light on the fascinating world of opera during the Baroque period. The image showcases the skillful artistry of English School, offering a glimpse into their humorous and critical perspective. The caricature portrays an Italian castrato singer in full performance mode, adorned with extravagant costumes and surrounded by elements that symbolize both his talent and societal implications. A peacock, known for its ostentatious display, stands beside him as a representation of vanity and pride often associated with these singers. The satire delves deeper into the controversial practice of castration that was prevalent during this era to preserve high-pitched voices in male singers. This engraving serves as a commentary on society's fascination with such performers while also highlighting the physical sacrifice they endured. With references to renowned composers Handel and Porpora, it becomes evident that this artwork is not only meant to entertain but also critique aspects of the music industry at that time. Through clever visual storytelling, this print invites viewers to reflect upon themes like power dynamics within opera circles and societal expectations placed upon artists. As we admire this historical piece today, it offers us an opportunity to appreciate how satire can transcend time and continue sparking conversations about artistry, identity, and social norms throughout history.
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