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From the top of the tower, Madame sees her page return. 1880 (engraving)

From the top of the tower, Madame sees her page return. 1880 (engraving)


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From the top of the tower, Madame sees her page return. 1880 (engraving)

7312522 From the top of the tower, Madame sees her page return. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: From the top of the tower, Madame sees her page come back. in "Songs and rounds from childhood. Pierre-Jules Hetzel (1884-1886), publisher, Paris, c. 1880. Hetzel Collection, Library of Mademoiselle Lili and her cousin Lucien. Notation and support by Paul Lacome (1838-1920). Illustrations by Lorentz Froelich (1820-1908), engraved by Charles Emile Matthis (1838-1893) and Charles Firmin Gillot (1853-1903). Measurements: 27.5 x 18.5 cm."); Photo © Duvallon

Media ID 28392538

© Duvallon / Bridgeman Images

Ballads Canticles Childrens Song Childrens Story Customs And Traditions Nursery Rhyme Nursery Rhymes Serenade Serenading Sing Singing Song Songs


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> Arts > Artists > W > Charles White

> Europe > France > Music

> Europe > France > Paris > Music

> Fine Art Finder > Artists > Lorentz Froelich


EDITORS COMMENTS
In this engraving titled "From the top of the tower, Madame sees her page return" we are transported back to 1880. The artwork, created by Lorentz Froelich and engraved by Charles Emile Matthis and Charles Firmin Gillot, is part of a collection published by Pierre-Jules Hetzel in Paris. The scene depicted in the print showcases an enchanting moment from childhood. From high atop a tower, Madame eagerly awaits the return of her page. The intricate details captured in black and white bring this nostalgic image to life. This piece not only evokes feelings of curiosity and anticipation but also highlights the importance of music during that era. Songs and rounds from childhood were cherished melodies that brought joy to both young and old alike. As we delve into this mesmerizing artwork, we can't help but appreciate its historical significance as well. It offers us a glimpse into French customs and traditions prevalent during the late nineteenth century. With its delicate lines and impeccable craftsmanship, this engraving serves as a testament to the artistic talents of Froelich, Matthis, Gillot, and Paul Lacome who provided notation support for this publication. Overall, "From the top of the tower" is not just an exquisite piece; it encapsulates a moment frozen in time - one filled with music, nostalgia for childhood innocence, and appreciation for traditional artistry.

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