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L Assiette au Beurre, number 164, Satirique en couleurs, 1904_5_21: Colonization, England Great Britain, Algeria, Madagascar, Morocco, Technique, Anticolonialism, Martinique, Tunisia, Tonkin, Telephone - Marianne, Bull John (lithograph)
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L Assiette au Beurre, number 164, Satirique en couleurs, 1904_5_21: Colonization, England Great Britain, Algeria, Madagascar, Morocco, Technique, Anticolonialism, Martinique, Tunisia, Tonkin, Telephone - Marianne, Bull John (lithograph)
ICA4890386 L Assiette au Beurre, number 164, Satirique en couleurs, 1904_5_21: Colonization, England Great Britain, Algeria, Madagascar, Morocco, Technique, Anticolonialism, Martinique, Tunisia, Tonkin, Telephone - Marianne, Bull John (lithograph) by Camara, Leal de (1877-1948); (add.info.: L Plate au beurre, number 164, Satirique en couleurs, 1904_5_21: Colonization, England Great Britain, Algeria, Madagascar, Morocco, Technique, Anticolonialism, Martinique, Tunisia, Tonkin, Telephone - Marianne, Bull John - Illustration by Leal de Camara (1877-1948)); Photo © Caricadoc
Media ID 25135392
© Caricadoc / Bridgeman Images
Algeria Algeria Algerian Algerian Algerians Algerie Arabs Caribbean Caribbean Island Carribean Dom Tom Du Soudan Force Indochina Madagascar Maghrebin Maghrebine Marianne Martinican Martinique Moroccan Morocco North East Africa North West Africa Northafrica Phone Telegraph Tunisia Tunisian Viet Nam Vietnam Vietnamese Arab Civilization Arab Culture Arabians Asian Asian Caricadoc Central Africa Maghreb Maghrebi Maghrebian Sudan
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EDITORS COMMENTS
This print titled "L Assiette au Beurre, number 164, Satirique en couleurs, 1904_5_21: Colonization, England Great Britain, Algeria, Madagascar, Morocco" by Leal de Camara depicts a powerful satirical illustration that delves into the complex themes of colonization and anticolonialism. The image showcases various countries such as England (Great Britain), Algeria, Madagascar, Morocco, Martinique, Tunisia and Tonkin in a thought-provoking manner. Through intricate details and symbolism captured in this lithograph engraving from the early 20th century, we are invited to reflect on the impact of colonial forces on these regions. The use of technology is highlighted through the presence of telephones and telegraphs which were instrumental tools for communication during that era. The central figures depicted are Marianne representing France and Bull John symbolizing England. Their interaction serves as a commentary on the power dynamics between colonizers and colonized nations. This piece also sheds light on the resistance movements against colonial rule in places like Martinique and Tunisia. Leal de Camara's skillful execution brings forth an engaging visual narrative that invites viewers to explore historical contexts while contemplating issues surrounding imperialism and its consequences. This artwork serves as a reminder of how art can be used to challenge dominant narratives and provoke critical thinking about societal structures. Overall, this print captures a significant moment in history with its rich imagery and profound message about colonization's lasting impact on various parts of the world.
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