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The Board of Censors Moves Out, 1822. Creator: Eugene Delacroix

The Board of Censors Moves Out, 1822. Creator: Eugene Delacroix


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The Board of Censors Moves Out, 1822. Creator: Eugene Delacroix

The Board of Censors Moves Out, 1822

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Media ID 20567917

© Heritage Art/Heritage Images

C And Co C Motte And Co C Motte Co Censorship Charles Etienne Pierre Charles Etienne Pierre Motte Charles Motte Delacroix Delacroix Eugene Devil Eugene Eugene Delacroix Ferdinand Victor Eugène Delacroix Government Horse And Cart Leading Metropolitan Motte Motte C Co Motte Charles Motte Charles Etienne Pierre Scissors Winged Horse Drawn Horse Drawn Vehicle Horsedrawn Satirical


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> Arts > Artists > D > Eugene Delacroix

> Arts > Artists > D > Ferdinand Victor Eugene Delacroix

> Arts > Artists > M > Charles Etienne Pierre Motte

> Arts > Artists > W > Charles White

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Arts > Realistic drawings > Animal portraits > Animal artwork

> Arts > Realistic drawings > Animal portraits > Fine art

> Popular Themes > Politics


The Board of Censors Moves Out, 1822

EDITORS COMMENTS
by Eugene Delacroix captures a satirical moment in French history. In this print, we see a group of men leading a horse-drawn cart through the country. The image is filled with symbolism and political commentary. The central figure in the composition is a man holding a pair of scissors, representing censorship. He is accompanied by other members of the board, all dressed in formal attire, suggesting their authority and importance within the government. However, what makes this scene intriguing is the presence of winged devils hovering above them. Delacroix's artwork reflects his criticism towards governmental control over freedom of expression during that time period. By portraying these censors as devilish figures, he highlights their oppressive nature and mocks their attempts to restrict artistic and intellectual liberties. The use of animals such as horses adds another layer to the narrative. Horses are known for their strength and power but can also be tamed or controlled when harnessed correctly. This juxtaposition symbolizes how even powerful institutions like governments can be influenced or manipulated. Overall, "The Board of Censors Moves Out" serves as both an artistic masterpiece and social critique on censorship in 19th century France. Delacroix's skillful execution combined with his thought-provoking imagery make this print an important piece within heritage art collections worldwide.

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