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Frances, Countess of Surrey, c1532-1533 (1945). Artist: Hans Holbein the Younger
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Frances, Countess of Surrey, c1532-1533 (1945). Artist: Hans Holbein the Younger
Frances, Countess of Surrey, c1532-1533 (1945). Frances Howard, (nee de Vere), Countess of Surrey (c. 1516-1577) was daughter of John de Vere, 15th Earl of Oxford, and Elizabeth Trussell. She married firstly, Henry Howard, Earl of Surrey, son of Thomas Howard, 3rd Duke of Norfolk, and Elizabeth Stafford, by whom she had two sons and three daughtersThe drawing is part of the Royal Collection Trust, Windsor Castle. From The Drawings of Holbein at Windsor Castle by K. T. Parker. [The Phaidon Press Ltd, Oxford & London, 1945]
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Media ID 14984145
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Art Collection Black Chalk Countess Earl Of Earl Of Surrey Frances Hans Hans Holbein Hans Holbein The Younger Henry Henry Howard Holbein Holbein The Younger Howard Kt Parker Line Drawing Northern Renaissance Parker Phaidon Press Royal Collection Trust Surrey Tudor Aristocrat Frances Howard
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EDITORS COMMENTS
This print showcases the timeless beauty of Frances, Countess of Surrey, a prominent figure in the 16th century. Created by the renowned artist Hans Holbein the Younger, this exquisite drawing captures Frances' elegance and grace. Frances Howard, born as Frances de Vere, was the daughter of John de Vere, Earl of Oxford. She married Henry Howard, Earl of Surrey, who was the son of Thomas Howard, Duke of Norfolk. Together they had two sons and three daughters. In this monochrome portrait, Frances is depicted wearing a stunning headdress and an elaborate dress that reflects her status as a member of the aristocracy. Her direct gaze adds depth to her character and reveals her strength and determination. The artwork is part of the Royal Collection Trust at Windsor Castle—a testament to its historical significance. Published in 1945 as part of "The Drawings of Holbein at Windsor Castle" by K. T. Parker from The Phaidon Press Ltd. , this print has become an iconic representation not only for art enthusiasts but also for those interested in Renaissance history. With its meticulous line work created using black chalk technique characteristic to Holbein's style, this portrait exemplifies Northern Renaissance artistry at its finest. It serves as a reminder that even after centuries have passed since its creation; it continues to captivate viewers with its timeless allure.
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