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Integer Vitae... (from the series On Death II), 1898-1910

Integer Vitae... (from the series On Death II), 1898-1910


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Integer Vitae... (from the series On Death II), 1898-1910

Integer Vitae... (from the series On Death II), 1898-1910. Private Collection

Heritage Images features heritage image collections

Media ID 15345227

© Symbolism / Heritage-Images

1898 1910 Death Symbols Eternity Futility Klinger Life And Death Max 1857 1920 Memento Mori On Death Transience Vain Vanitas Vanity Aquatint Symbolism


Integer Vitae. . . (from the series On Death II), 1898-1910 - A Captivating Allegory of Life and Death

EDITORS COMMENTS
. This photo print, titled "Integer Vitae. . . (from the series On Death II), 1898-1910" is a mesmerizing piece from Max Klinger's collection. With its intricate details and thought-provoking symbolism, it transports viewers into a realm where life and death intertwine. The artist skillfully employs aquatint to create a hauntingly beautiful image that explores themes of eternity, futility, transience, and vanity. Through this allegorical representation of memento mori - reminders of mortality - Klinger invites us to reflect upon our own existence. In this composition, death symbols are scattered throughout the artwork as reminders of our inevitable fate. Mythological references add depth to the narrative while emphasizing humanity's eternal struggle with mortality. The delicate balance between life's fleeting nature and our vain attempts at immortality becomes evident in every brushstroke. As we gaze upon this fine art masterpiece, we are reminded that life is but a fragile thread woven into an infinite tapestry. It serves as both a reminder to cherish each moment and an invitation to contemplate the mysteries beyond our mortal boundaries. Resting within a private collection for over a century, this rare gem offers us an opportunity to delve into profound philosophical questions through visual storytelling. Its timeless allure continues to captivate audiences today as it did when first created by Max Klinger

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