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Pope Innocent IV (1180-1254), 1849

Pope Innocent IV (1180-1254), 1849


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Pope Innocent IV (1180-1254), 1849

Pope Innocent IV (c1180/1190-1254), 1849. Innocent was Pope between 1243 and 1254. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

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Media ID 14936588

© The Print Collector / Heritage-Images

A Rivaud Ferdinand Ferdinand Sere Lacroix Leader Paul Paul Lacroix Pope Rivaud Sere Roman Catholicism Thirteenth Century


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> Arts > Art Movements > Renaissance Art

> Arts > Artists > R > Roman Roman

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Historic > Renaissance art > Portraits in renaissance art

> Historic > Renaissance art > Religious themes in renaissance art

> Historic > Renaissance art

> Popular Themes > Religious Images


EDITORS COMMENTS
This print captures the esteemed figure of Pope Innocent IV, who reigned as the head of the Catholic Church from 1243 to 1254. Taken in 1849, this engraving showcases a profile portrait of the influential leader during the 13th century. The oval-shaped image focuses on his head and shoulders, allowing us to appreciate his distinctive attire and hat. Pope Innocent IV's presence is both commanding and serene in this monochrome depiction. His religious significance is palpable as he represents Roman Catholicism at its core. This nineteenth-century print serves as a visual connection between two eras: the thirteenth century when Innocent held power, and the rapidly evolving world of the nineteenth century. The attention to detail in this portrait highlights not only his role as a spiritual leader but also his sartorial choices that reflect his position within Christianity. The intricate dress worn by Pope Innocent IV symbolizes authority, tradition, and reverence for God. Preserved through time by Paul Lacroix, Ferdinand Sere, A Rivaud, Volume III (Paris, 1849), this historical artifact now resides with The Print Collector collection. It offers viewers an opportunity to delve into centuries past while contemplating one of Catholicism's most significant figures.

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