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Gian Galeazzo Visconti and his three sons
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Gian Galeazzo Visconti and his three sons
Gian Galeazzo Visconti 1 and his sons Filippo Maria 2, Gian Maria 3 and Gabriele Maria 4. Filippo holds a model of Certosa di Pavia, a monastery in Pavia, Lombardy. From a ceiling fresco by Ambrogio Borgognone. Giangaleazzo, Filippomaria, Giovanmaria e Gabriele Visconti. Handcoloured copperplate engraving after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837
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Media ID 23384882
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Allegorical Allegory Antico Bartoli Bartolomeo Codex Ferrario Figures Galeazzo Gian Giulio Judge Knight Lodi Manuscript Moderno Parti Pavia Peoples Poetry Sons Vigor Virtues Visconti Wings Brizio Signore
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EDITORS COMMENTS
1. Title: "Gian Galeazzo Visconti and His Three Sons: An Allegory of Virtues and Power" This hand-colored copperplate engraving, created by Giulio Ferrario in 1837, depicts the prominent Italian statesman and condottiere, Gian Galeazzo Visconti, and his three sons: Filippo Maria, Gian Maria, and Gabriele Maria. The image is derived from a ceiling fresco by Ambrogio Borgognone, which can be found in the Certosa di Pavia monastery in Lombardy, Italy. At the center of the image, Gian Galeazzo Visconti, the Lord of Milan, is shown wearing the regal attire of a medieval ruler, adorned with a crown and a fur-lined robe. He is surrounded by his three sons, each representing a distinct virtue. Filippo Maria, the eldest, holds a model of the Certosa di Pavia monastery, symbolizing his role as a prudent and wise ruler. To his right, Gian Maria, the poet, is depicted with a quill pen and a book, embodying the virtues of creativity and intellect. The youngest son, Gabriele Maria, is shown as a knight on horseback, representing the virtue of vigor and martial prowess. The allegorical figures of Sensus, Franceschino de' Cristiani, and the Vices (Parti, Mi, and Brutius) are also present in the image. Sensus, symbolizing common sense, is depicted as a man with a book and a mirror, while the Vices are shown as grotesque figures, representing the vices that Gian Galeazzo Visconti and his sons must overcome to maintain their rule and uphold justice. This engraving is a testament to the rich history and artistic heritage of medieval Italy, showcasing the fashion, power dynamics, and allegorical symbolism of the time. It is a fascinating glimpse into the lives of the powerful Visconti family and their commitment to the virtues that guided their rule.
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