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Vergil's First Eclogue Woodcuts
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Vergil's First Eclogue Woodcuts
A series of three woodcut prints (first state) depicting scenes of nature under light and dark skies. These subjects were used from Ambrose Phillips imitation of Vergil's First Eclogue (1821). Date: circa 1923
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Media ID 32243600
© CLM Archive Collection / Mary Evans
1821 Ambrose Blake Depicting Imitation Phillips Skies Subjects Woodcut 1923 Woodcuts
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Vergil's First Eclogue Woodcuts: A Visionary Interpretation of Nature's Transformative Power This series of three woodcut prints, circa 1923, depicts scenes of nature under the transformative power of light and dark skies. Inspired by the poetic verses of Vergil's First Eclogue and the imitation of these verses by Ambrose Phillips in 1821, these woodcuts offer a visual interpretation of the ancient text's themes of renewal and the passage of time. The first print showcases the radiant beauty of a sunlit landscape, with golden rays illuminating the earth and casting long shadows. In the second print, the sky darkens, and the landscape is enveloped in a mystical twilight, as if to herald the arrival of the night. The third print brings the darkness to its fullest, with the moon and stars taking center stage against a backdrop of inky blackness. These woodcuts, believed to be in the first state, were likely produced by the renowned English artist, William Blake. Blake's innovative use of the woodcut medium allowed him to create intricate, detailed images that conveyed the depth and complexity of his vision. The prints in this series demonstrate his mastery of the technique, with their delicate lines, rich textures, and evocative use of light and shadow. The subjects of these woodcuts – the sun, moon, stars, and the ever-changing landscape – have long been associated with the cycles of nature and the passage of time. Vergil's original text, which celebrated the coming of the goddess of spring, added to the rich symbolism of these images, making them a powerful and enduring representation of the natural world and the transformative power of the seasons.
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