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SUAREZ LLANOS, Ignacio (1830-1881). Sor Marcela

SUAREZ LLANOS, Ignacio (1830-1881). Sor Marcela


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SUAREZ LLANOS, Ignacio (1830-1881). Sor Marcela

SUAREZ LLANOS, Ignacio (1830-1881). Sor Marcela de San F鬩 x, Nun of the Trinitarias Descalzas of Madrid, Watching the Burial of Her Father, Lope de Vega. 1862. Upper left detail. Oil on canvas. SPAIN. Madrid. Museo de Historia

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Media ID 8260709

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10681739

Burial F X9b29 X Historia Ignacio Lope Museo Suarez Vega Watching Llanos Upper


EDITORS COMMENTS
Sor Marcela (Ignacio Suarez Llanos, 1830-1881), a Nun of the Trinitarias Descalzas of Madrid, is depicted in this poignant detail from Ignacio Suarez Llanos' oil painting "Sor Marcela (Sor Marcela de San Francisco Xavier, Nun of the Trinitarias Descalzas of Madrid, Watching the Burial of Her Father, Lope de Vega," 1862. Housed in the Museo de Historia in Madrid, Spain, this horizontal composition captures a moment of deep reflection and sorrow as Sor Marcela looks on as her father, the renowned playwright Lope de Vega, is laid to rest. The color palette of the painting is rich and somber, reflecting the solemnity of the occasion. Ignacio Suarez Llanos, a Spanish painter, expertly captures the emotional depth of the scene, with Sor Marcela's expression conveying a sense of loss and reverence. The upper left detail offers a closer look at the nun's face, her eyes downcast and her hands folded in prayer. The Trinitarias Descalzas, or Barefoot Trinitarians, were a religious order of nuns known for their commitment to poverty and humility, and their presence at the burial of Lope de Vega would have been significant in Spanish society at the time. This painting is a poignant reminder of the human experience of loss and the enduring bond between a father and daughter. The intricacies of the detail in this oil painting, particularly the textures of the nun's habit and the folds of her veil, add to the overall sense of depth and realism. The painting is a testament to Suarez Llanos' skill as a painter and his ability to capture the complexities of the human condition.

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