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Hornblower surrenders, 1920, (1928). Creator: Foulsham and Banfield
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Hornblower surrenders, 1920, (1928). Creator: Foulsham and Banfield
Hornblower surrenders, 1920, (1928). Mr. George Elton as Dawker; Miss Helen Heye as Mrs. Hillcrist and Mr. Edmund Gwenn as Hornblower, in " The Skin Game". Scene from " The Skin Game" play by British playwright John Galsworthy (1867-1933). It was first performed in 1920 at the St Martins Theatre, London. From " The Bookman - Special Christmas Number 1928". [Hodder & Stoughton Ltd, London, 1928]
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Media ID 18325094
© The Print Collector/Heritage Images
Character Desk Document Edmund Elton Foulsham And Banfield Foulsham Banfield George William Haye Helen Hodder And Stoughton Hodder Stoughton Ltd John Galsworthy Kellaway Signing Surrender Surrendering The Bookman Galsworthy Shuttleworth
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EDITORS COMMENTS
This print captures a scene from the play "The Skin Game" by British playwright John Galsworthy. The photograph, taken in 1928, features actors George Elton as Dawker, Helen Heye as Mrs. Hillcrist, and Edmund Gwenn as Hornblower. Set against a backdrop of elegant furniture and a cluttered desk, the image showcases the intense drama unfolding on stage. In this particular moment, Edmund Gwenn's character of Hornblower is seen surrendering to his adversaries. The tension between the characters is palpable as they engage in an emotional exchange. The actors' expressive faces convey their commitment to their roles and capture the essence of early 20th-century theater. "The Skin Game" first performed at St Martins Theatre in London in 1920, explores themes of class conflict and moral dilemma within British society. This production received critical acclaim for its thought-provoking narrative and stellar performances. Preserved through time by Foulsham and Banfield's lens for "The Bookman - Special Christmas Number 1928" this print offers us a glimpse into the world of vintage theater. It serves as a testament to the talent and dedication of these esteemed actors who brought Galsworthy's words to life on stage. With its monochrome aesthetic evoking nostalgia for the roaring twenties era, this image continues to captivate audiences even today with its timeless portrayal of human emotions on display under theatrical lights.
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