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The Jesters, 1865, (1965). Creator: Illarion Pryanishnikov
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The Jesters, 1865, (1965). Creator: Illarion Pryanishnikov
The Jesters, 1865, (1965). A retired official is mocked by drunks. Scene inspired by A.N.Ostrovskys play " Jokers", which premiered in 1864 in St Petersburg and Moscow. Painting, also known as Jokers. Courtyard in Moscow, in the State Tretyakov Gallery, Moscow. From " Russian Painting of the 18th and 19th Centuries" by Vladimir Fiala. [Artia, Czechoslovakia, 1965]
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Media ID 18908926
© The Print Collector/Heritage Images
Accordion Accordionist Aleksandr Ostrovsky Alexander Alexander Nikolayevich Alexander Nikolayevich Ostrovsky Alexander Ostrovsky Alexandr Ostrovsky Artia Drunk Drunkenness Fiala Jester Joking Mocking Official Ostrovsky Pryanishnikov Ridicule Ridiculing Vladimir Vladimir Fiala Artistic Movement
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The Jesters, 1865
EDITORS COMMENTS
is a captivating print that captures a moment of mockery and amusement in the streets of Moscow during the 19th century. Created by Illarion Pryanishnikov, this painting depicts a retired official being taunted by drunks, inspired by A. N. Ostrovsky's play "Jokers". The scene comes to life with vibrant colors and intricate details, showcasing the artistic movement of Russian painting in the 18th and 19th centuries. The courtyard setting adds an authentic touch to the composition, transporting viewers back in time to witness this humorous yet poignant interaction. An accordionist provides musical accompaniment as people dance and laugh around them. The fur-clad lady and gentleman add an air of sophistication amidst the revelry. Pryanishnikov's mastery lies not only in his ability to capture human emotions but also in his attention to detail. Every brushstroke brings out the essence of each character, from their facial expressions to their body language. Displayed at the State Tretyakov Gallery in Moscow, "The Jesters" continues to captivate audiences with its timeless portrayal of social dynamics and entertainment during that era. This artwork serves as a reminder that even within moments of jesting and mocking, there is still room for compassion and understanding. Vladimir Fiala's book "Russian Painting of the 18th and 19th Centuries" further explores Pryanishnikov's contribution to Russian art history while shedding light on other notable artists from this period.
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