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Moussa Ag Amastane arriving in Paris, illustration from Le Petit Journal
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Moussa Ag Amastane arriving in Paris, illustration from Le Petit Journal
XIR346353 Moussa Ag Amastane arriving in Paris, illustration from Le Petit Journal, supplement illustre, 21st August 1910 (colour litho) by French School, (20th century); Private Collection; (add.info.: arrivee a Paris; amenoukal des Touaregs Hoggars; Touareg Hoggar; chef; ); French, out of copyright
Media ID 12863189
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Chief Colonisation Contrast Kepi Nomad Nomads Sahara Sandal Sandals Station Tribe Tribesman Tribesmen Tuareg Tuaregs Veil Veiled Wagon Welcoming Saharan
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EDITORS COMMENTS
The captivating print titled "Moussa Ag Amastane arriving in Paris" takes us back to the year 1910, capturing a significant moment in history. The illustration, originally featured in Le Petit Journal's supplement illustre on August 21st, showcases the arrival of Moussa Ag Amastane, an esteemed Touareg Hoggar chief. As we delve into this mesmerizing image, we witness Moussa Ag Amastane standing tall and proud amidst a group of military personnel at a Parisian train station. Dressed in his traditional Tuareg attire - complete with a striking black turban and veiled face - he exudes an aura of strength and cultural richness. This powerful visual contrast between the African tribesman and the bustling cityscape symbolizes the collision of cultures during colonial times. It serves as a reminder of France's colonization efforts in Africa and sheds light on the complexities surrounding colonialism. Amidst all this historical significance lies another layer: that of Moussa Ag Amastane being welcomed by French authorities. This gesture signifies recognition for his leadership within his tribe and highlights the interplay between tradition and modernity. Preserved through time, this color lithograph allows us to explore not only different civilizations but also invites contemplation about our shared human heritage. It offers viewers an opportunity to reflect upon cultural diversity while appreciating both past struggles and progress made since then. This remarkable piece from Fine Art Finder is more than just a photograph; it is an invitation
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