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A Voluptuary Under the Horrors of Digestion, 1792. Artist: James Gillray
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A Voluptuary Under the Horrors of Digestion, 1792. Artist: James Gillray
A Voluptuary Under the Horrors of Digestion, 1792. Engraving of the Prince Regent, (later King George IV), who was famous for his gluttonous appetite. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)
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Media ID 14917416
© The Print Collector / Heritage-Images
Bone Chamber Pot Emily Morse Emily Morse Symonds Fork George Paston Gillray Glutton Gluttony Greed Greedy Horror James Gillray Knife Knives Paston Prince Regent Stomach Symonds Waistcoat Digestion
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A Voluptuary Under the Horrors of Digestion
EDITORS COMMENTS
is a captivating and satirical engraving by James Gillray, depicting the Prince Regent (later King George IV) during his notorious era of gluttony. Created in 1792, this print offers a glimpse into the excessive indulgence that characterized the eighteenth-century British monarchy. In this intricate illustration, we witness a man consumed by his insatiable appetite. The Prince Regent is portrayed as an overweight figure seated at a lavish table adorned with sumptuous food. His bloated stomach protrudes from beneath his waistcoat, symbolizing both excess and greed. With knife and fork in hand, he voraciously devours his meal while surrounded by opulent furniture. The artist's attention to detail is remarkable; every line meticulously etched to convey horror and disgust. The chamber pot placed strategically under the table serves as a reminder of bodily functions overwhelmed by overindulgence. Gillray's work not only mocks the prince's gluttonous behavior but also critiques society's fascination with such extravagance. Through this biting satire, he exposes the consequences of unchecked appetites on both individual health and societal values. This historic engraving remains relevant today as it prompts reflection on our own relationship with consumption and excesses. It serves as a reminder that even those in positions of power are not immune to their own vices – an enduring lesson captured within this timeless artwork.
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